Sestri Indah Pebrianti, Siti Aesijah, Rimasari Pramesthi Putri, Lesa Paranti
The purpose of this research is to find the results of Anggono Kusuma Wibowo’s creativity as Cakil dancer. This study applied the Holistic approach. Data are in the form of creativity process which include person, process, and result of creativity are collected by observation, interview and documentation techniques to informants. The results of this study are Anggono Kusuma Wibowo’s creativity as Cakil dancer consist of exploration process, improvisation, and composition. The exploration process is carried out to explore Cakil dance movements that already exist to understand and feeling the typical movements in Cakil dance. In the process of improvisation, Anggono combines the basic movements in the Cakil dance and the fast movements that Anggono has mastered, namely gerak jalan jengkeng. The results of Anggono Kusuma Wibowo’s creativity consist of form, tempo, and techniques. Anggono’s tempo in dancing Cakil included as fast tempo or called wanda kikik dancer. The movement that depicts Anggono's characteristics is jalan jengkeng. While the techniques that owned by Anggono include the techniques of cekotan kesotan, the keris performance, and the jatuh tanjak jumping which is carried out continuously. © 2020, IJSTR.
Universitas Negeri Semarang, Indonesia
